https://www.dokudoc.kovinet.eu/novice/19.%20DOKgodek%20-%20U%C4%8Dinki%20svetlobe

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        <p>Svetloba je eden tistih elementov, ki ključno vplivajo na to, kakšen ton ima film in tudi,&nbsp;kako dojemamo nastopajoče, njihove pozicije in medsebojne odnose. Igro svetlobe&nbsp;bomo ta teden opazovali v dveh kratkih filmih, ki se posvečata temi rejništva - Rejnica&nbsp;(2014) v režiji Mihe Možine ter Neira, številka v sistemu (2012) v režiji Maje Pavlin.&nbsp;Filma bosta brezplačno na ogled od torka, 5. aprila, do četrtka, 7. aprila, z začetkom ob&nbsp;&nbsp;20.00 na spletni strani Baze slovenskih filmov (<a href="http://bsf.si" target="_blank">bsf.si</a>).</p>\n
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        <p>&nbsp;</p>\n
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        <p>Dokumentarna filma se rejništvu v Sloveniji posvečata z različnih perspektiv. Če Neira&nbsp;pripoveduje o svoji izkušnji kot rejenka, v Rejnici odkrivamo plat zgodbe s strani skrbnice -&nbsp;rejnice Bernarde. Njen življenjski krog se utaplja ter žari skozi preplet preteklosti in&nbsp;prihodnosti usodnih odločitev. Film je prejel vesno za dokumentarni film: “Dokumentarni film&nbsp;Rejnica je slojevita, iskrena in zaokrožena filmska pripoved, skozi katero režiser Miha Možina&nbsp;s svojo zrelostjo in senzibilnostjo, iz prizora v prizor razkriva travme neštetih nesrečnih&nbsp;družinskih usod, ki se vse prepogosto prenašajo iz roda v rod.”</p>\n
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        <p>Na drugi strani pa film Neira, številka v sistemu gledalcu predoči nepopravljive posledice rejniškega sistema pri nas. Vsak otrok je zgodba zase - univerzalnega recepta za vzgojo ni,&nbsp;je zgolj univerzalna potreba vsakega otroka po toplini in ljubezni. V filmu spoznamo, da&nbsp;občutek zavrženosti v otroštvu posameznika zaznamuje in vpliva na njegovo delovanje&nbsp;danes.</p>\n
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        nahaja in govori svojo zgodbo.” Še večji učinek svetlobe opazujemo pri Rejnici, ker “se bolj&nbsp;igra z odtenki svetlobe, saj se tudi v skoraj popolni temi znajdemo blizu govorki in njeni&nbsp;zgodbi. Obenem je opazna tranzicija glede svetlosti kadrov. Prav ta ključno pripomore k&nbsp;občutku obnavljanja njunega odnosa in pozitivnega tona konca filma.”</p>\n
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        <p>Dogodek organizirata Zavod Filmoteka v sodelovanju s festivalom DOKUDOC, ki ga&nbsp;pripravlja društvo Mitra. DOKgodek sofinancira Ministrstvo za kulturo RS.</p>\n
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        <p>Svetloba je eden tistih elementov, ki ključno vplivajo na to, kakšen ton ima film in tudi,&nbsp;kako dojemamo nastopajoče, njihove pozicije in medsebojne odnose. Igro svetlobe&nbsp;bomo ta teden opazovali v dveh kratkih filmih, ki se posvečata temi rejništva - Rejnica&nbsp;(2014) v režiji Mihe Možine ter Neira, številka v sistemu (2012) v režiji Maje Pavlin.&nbsp;Filma bosta brezplačno na ogled od torka, 5. aprila, do četrtka, 7. aprila, z začetkom ob&nbsp;&nbsp;20.00 na spletni strani Baze slovenskih filmov (<a href="http://bsf.si" target="_blank">bsf.si</a>).</p>\n
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        <p>Dokumentarna filma se rejništvu v Sloveniji posvečata z različnih perspektiv. Če Neira&nbsp;pripoveduje o svoji izkušnji kot rejenka, v Rejnici odkrivamo plat zgodbe s strani skrbnice -&nbsp;rejnice Bernarde. Njen življenjski krog se utaplja ter žari skozi preplet preteklosti in&nbsp;prihodnosti usodnih odločitev. Film je prejel vesno za dokumentarni film: “Dokumentarni film&nbsp;Rejnica je slojevita, iskrena in zaokrožena filmska pripoved, skozi katero režiser Miha Možina&nbsp;s svojo zrelostjo in senzibilnostjo, iz prizora v prizor razkriva travme neštetih nesrečnih&nbsp;družinskih usod, ki se vse prepogosto prenašajo iz roda v rod.”</p>\n
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        <p>Na drugi strani pa film Neira, številka v sistemu gledalcu predoči nepopravljive posledice rejniškega sistema pri nas. Vsak otrok je zgodba zase - univerzalnega recepta za vzgojo ni,&nbsp;je zgolj univerzalna potreba vsakega otroka po toplini in ljubezni. V filmu spoznamo, da&nbsp;občutek zavrženosti v otroštvu posameznika zaznamuje in vpliva na njegovo delovanje&nbsp;danes.</p>\n
        \n
        <p>&nbsp;</p>\n
        \n
        <p>In kako učinkuje svetloba na gledalca? Kot ugotavlja filmski kritik in teoretik Robert Kuret je&nbsp;“pri Neiri uporaba svetlobe načeloma v službi podpiranja nekogaršnje perspektive: bolj kot je&nbsp;svetlo, sončno, bolj prijeten je kader za pogled, bližja je perspektiva tega, ki se v kadru<br />\n
        nahaja in govori svojo zgodbo.” Še večji učinek svetlobe opazujemo pri Rejnici, ker “se bolj&nbsp;igra z odtenki svetlobe, saj se tudi v skoraj popolni temi znajdemo blizu govorki in njeni&nbsp;zgodbi. Obenem je opazna tranzicija glede svetlosti kadrov. Prav ta ključno pripomore k&nbsp;občutku obnavljanja njunega odnosa in pozitivnega tona konca filma.”</p>\n
        \n
        <p>&nbsp;</p>\n
        \n
        <p>Dogodek organizirata Zavod Filmoteka v sodelovanju s festivalom DOKUDOC, ki ga&nbsp;pripravlja društvo Mitra. DOKgodek sofinancira Ministrstvo za kulturo RS.</p>\n
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Pimcore\Routing\DocumentRoute {#1626
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          <p>Svetloba je eden tistih elementov, ki ključno vplivajo na to, kakšen ton ima film in tudi,&nbsp;kako dojemamo nastopajoče, njihove pozicije in medsebojne odnose. Igro svetlobe&nbsp;bomo ta teden opazovali v dveh kratkih filmih, ki se posvečata temi rejništva - Rejnica&nbsp;(2014) v režiji Mihe Možine ter Neira, številka v sistemu (2012) v režiji Maje Pavlin.&nbsp;Filma bosta brezplačno na ogled od torka, 5. aprila, do četrtka, 7. aprila, z začetkom ob&nbsp;&nbsp;20.00 na spletni strani Baze slovenskih filmov (<a href="http://bsf.si" target="_blank">bsf.si</a>).</p>\n
          \n
          <p>&nbsp;</p>\n
          \n
          <p>Dokumentarna filma se rejništvu v Sloveniji posvečata z različnih perspektiv. Če Neira&nbsp;pripoveduje o svoji izkušnji kot rejenka, v Rejnici odkrivamo plat zgodbe s strani skrbnice -&nbsp;rejnice Bernarde. Njen življenjski krog se utaplja ter žari skozi preplet preteklosti in&nbsp;prihodnosti usodnih odločitev. Film je prejel vesno za dokumentarni film: “Dokumentarni film&nbsp;Rejnica je slojevita, iskrena in zaokrožena filmska pripoved, skozi katero režiser Miha Možina&nbsp;s svojo zrelostjo in senzibilnostjo, iz prizora v prizor razkriva travme neštetih nesrečnih&nbsp;družinskih usod, ki se vse prepogosto prenašajo iz roda v rod.”</p>\n
          \n
          <p>&nbsp;</p>\n
          \n
          <p>Na drugi strani pa film Neira, številka v sistemu gledalcu predoči nepopravljive posledice rejniškega sistema pri nas. Vsak otrok je zgodba zase - univerzalnega recepta za vzgojo ni,&nbsp;je zgolj univerzalna potreba vsakega otroka po toplini in ljubezni. V filmu spoznamo, da&nbsp;občutek zavrženosti v otroštvu posameznika zaznamuje in vpliva na njegovo delovanje&nbsp;danes.</p>\n
          \n
          <p>&nbsp;</p>\n
          \n
          <p>In kako učinkuje svetloba na gledalca? Kot ugotavlja filmski kritik in teoretik Robert Kuret je&nbsp;“pri Neiri uporaba svetlobe načeloma v službi podpiranja nekogaršnje perspektive: bolj kot je&nbsp;svetlo, sončno, bolj prijeten je kader za pogled, bližja je perspektiva tega, ki se v kadru<br />\n
          nahaja in govori svojo zgodbo.” Še večji učinek svetlobe opazujemo pri Rejnici, ker “se bolj&nbsp;igra z odtenki svetlobe, saj se tudi v skoraj popolni temi znajdemo blizu govorki in njeni&nbsp;zgodbi. Obenem je opazna tranzicija glede svetlosti kadrov. Prav ta ključno pripomore k&nbsp;občutku obnavljanja njunega odnosa in pozitivnega tona konca filma.”</p>\n
          \n
          <p>&nbsp;</p>\n
          \n
          <p>Dogodek organizirata Zavod Filmoteka v sodelovanju s festivalom DOKUDOC, ki ga&nbsp;pripravlja društvo Mitra. DOKgodek sofinancira Ministrstvo za kulturo RS.</p>\n
          """
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        text: """
          <p>Svetloba je eden tistih elementov, ki ključno vplivajo na to, kakšen ton ima film in tudi,&nbsp;kako dojemamo nastopajoče, njihove pozicije in medsebojne odnose. Igro svetlobe&nbsp;bomo ta teden opazovali v dveh kratkih filmih, ki se posvečata temi rejništva - Rejnica&nbsp;(2014) v režiji Mihe Možine ter Neira, številka v sistemu (2012) v režiji Maje Pavlin.&nbsp;Filma bosta brezplačno na ogled od torka, 5. aprila, do četrtka, 7. aprila, z začetkom ob&nbsp;&nbsp;20.00 na spletni strani Baze slovenskih filmov (<a href="http://bsf.si" target="_blank">bsf.si</a>).</p>\n
          \n
          <p>&nbsp;</p>\n
          \n
          <p>Dokumentarna filma se rejništvu v Sloveniji posvečata z različnih perspektiv. Če Neira&nbsp;pripoveduje o svoji izkušnji kot rejenka, v Rejnici odkrivamo plat zgodbe s strani skrbnice -&nbsp;rejnice Bernarde. Njen življenjski krog se utaplja ter žari skozi preplet preteklosti in&nbsp;prihodnosti usodnih odločitev. Film je prejel vesno za dokumentarni film: “Dokumentarni film&nbsp;Rejnica je slojevita, iskrena in zaokrožena filmska pripoved, skozi katero režiser Miha Možina&nbsp;s svojo zrelostjo in senzibilnostjo, iz prizora v prizor razkriva travme neštetih nesrečnih&nbsp;družinskih usod, ki se vse prepogosto prenašajo iz roda v rod.”</p>\n
          \n
          <p>&nbsp;</p>\n
          \n
          <p>Na drugi strani pa film Neira, številka v sistemu gledalcu predoči nepopravljive posledice rejniškega sistema pri nas. Vsak otrok je zgodba zase - univerzalnega recepta za vzgojo ni,&nbsp;je zgolj univerzalna potreba vsakega otroka po toplini in ljubezni. V filmu spoznamo, da&nbsp;občutek zavrženosti v otroštvu posameznika zaznamuje in vpliva na njegovo delovanje&nbsp;danes.</p>\n
          \n
          <p>&nbsp;</p>\n
          \n
          <p>In kako učinkuje svetloba na gledalca? Kot ugotavlja filmski kritik in teoretik Robert Kuret je&nbsp;“pri Neiri uporaba svetlobe načeloma v službi podpiranja nekogaršnje perspektive: bolj kot je&nbsp;svetlo, sončno, bolj prijeten je kader za pogled, bližja je perspektiva tega, ki se v kadru<br />\n
          nahaja in govori svojo zgodbo.” Še večji učinek svetlobe opazujemo pri Rejnici, ker “se bolj&nbsp;igra z odtenki svetlobe, saj se tudi v skoraj popolni temi znajdemo blizu govorki in njeni&nbsp;zgodbi. Obenem je opazna tranzicija glede svetlosti kadrov. Prav ta ključno pripomore k&nbsp;občutku obnavljanja njunega odnosa in pozitivnega tona konca filma.”</p>\n
          \n
          <p>&nbsp;</p>\n
          \n
          <p>Dogodek organizirata Zavod Filmoteka v sodelovanju s festivalom DOKUDOC, ki ga&nbsp;pripravlja društvo Mitra. DOKgodek sofinancira Ministrstvo za kulturo RS.</p>\n
          """
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        #text: "Od 5. aprila, od 20.00, do 7. aprila, do 23.59. Kratki film Rejnica v režiji Mihe Možine ter kratki film Neira v režiji Maje Pavlin."
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        #image: Pimcore\Model\Asset\Image {#2644 …}
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Session Attributes

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